Wearable Giant Organ Installation 2000 3 3 WEARABLE ROBOTIC ORGAN SCULPTURES IN INSTALLATION by Amy Karle and Benjamin Julianeach approximately 4ft x 4ft x 4ft2000 In 2000, Artists Amy Karle and Benjamin Julian created an interactive installation of 3 large...
2015 | Performance, EEG headset, Mixed Media | Connecting her body and brain to a subwoofer and Chladni plate, Amy Karle turns bioinformatics into cymatics, generating bio-signals into visuals and sounds. Frequency adjusts with changing...
2015 | Performance and Sound Art | In this performance, Amy Karle manifests the symphony of the mind into sound. Using an electroencephalogram (EEG) neuroheadset, she translates thoughts and emotions into musical composure by connecting...
2011 | Performance, Video Art | Amy Karle connects her body and consciousness to technology to create art, repurposing a Sandin Image Processor as an electrophysiological visualization device. While meditating, Amy Karle inputs...
2015 | Interactive Public Art Sculpture that transforms your selfies and selected images into unique imagery and sound using your smartphone or device.
2015 | gypsum, binder | 5.5 x 5.5 x 5.5 in | Digitally modeled, 3D printed and handcrafted sculpture based on laws of sacred geometry. Inquire for availability in precious or semi-precious...
2009 | Meat, Mixed Media | Addressing the ephemerality of physical beauty, Artist Amy Karle made this “pretty pink dress” by suturing together lunch meat cold cuts which spoil in a short period of time. Gown sculpture made of processed...
2005 | Garments, Performance | This body of work considers how cancer alters the body and perception of self. The pieces serve to study and replicate the transitions of cancer and what is left afterwards. Amy Karle...
2003 | A collection of mixed-media garments designed and made by Amy Karle while considering processes of deconstruction and reconstruction, experimenting with the decomposition of fabrics and recomposing...
2002 | Multi-Media Interactive Installation, Video art | An interactive installation of 73 different videos playing within a long, enclosed hallway behind mirrors and masks, “Dislocation” studies the notion of illusion and its effects...
2002 | Installation, Performance, and Video | This collaborative live performance piece by Artists Amy Karle and Monica Duncan explored anticipation, antiquity, intimacy and memorials as...
2001 | Installation, Performance | Each viewer enters this piece alone through a narrow dark hallway provided with only a candle for illumination. The hallway curves and opens to a dark, humid water-filled chamber. Obscuring the...
2001 | Performance, Video, Prints from Video Stills | In “Divided” Amy Karle is several girls and one girl simultaneously, trapped in states of play, death, and play in death. The performance plays with the object/subject dissolve: death as the...
2001 | Performance, Video | Three videos of Amy Karle veiling and unveiling her face, ice melting, and struggling to swim out of entangled cloths that are wrapped around her body becoming more entangled the more she struggles were...
2001 | Performance, Video | Video documentation of Amy Karle cutting off portions of her hair on St. Valentine’s Day for every person whom had given themselves to her. Without prior knowledge of this act, the Artist left this...
2001 | Performance, Video, Video Installation | Considering theories of punishment that shape the self and the ways in which one carries those impressions that have been made upon them, this work is in constant flux between inside to...
2001 | Video Created at the Institute for Electronic Arts (IEA) | Expanded Media at Alfred University with analog and digital video toolset. Double Talk, 2001 (excerpt) by Amy Karle from Amy Karle on Vimeo. Double Talk 2001 Created at...
2000 | Three frozen hearts of meat and wine atop satin and cotton pillows melted over time, leaving only a stain. The hearts were formed from meat and wine frozen into a mold of a sheep heart of similar mass and size as the Artist...
2000-2001 | Year Long Durational Performance | For one year, Amy Karle refrained from using her thumbs as a discipline and re-learning practice. This is an image of the ‘thumb sling’ she wore to render...
