我们离真正的“西部世界”还有多远?
为了更进一步了解人工制造有机系统的过程,我采访了生物艺术家艾米·卡尔丽(Amy Karle),她的作品探索了科技与人文之间的界限。 卡尔丽近期的作品中有一件名为《再生圣物》(Regenerative Reliquary),它是由生物3D打印技术制作的支架,且上面覆以干细胞。 从理论上说,随着时间的推移,这件作品会长成一只人手——有朝一日,我们要让人造人拥有德洛丽丝(Dolores)那般完美的肤色可能就要依靠这种技术。
为了更进一步了解人工制造有机系统的过程,我采访了生物艺术家艾米·卡尔丽(Amy Karle),她的作品探索了科技与人文之间的界限。 卡尔丽近期的作品中有一件名为《再生圣物》(Regenerative Reliquary),它是由生物3D打印技术制作的支架,且上面覆以干细胞。 从理论上说,随着时间的推移,这件作品会长成一只人手——有朝一日,我们要让人造人拥有德洛丽丝(Dolores)那般完美的肤色可能就要依靠这种技术。
The latest work by American young artist Amy Karle, "Relics of the Relics," has received a lot of attention, not only from the art world, but also from the scientific community.
Karle's work is a reminder that our bodies are built out of molecules and atoms that are inanimate but take on life when brought together in the right patterns. To repair our bodies, we must first take them apart. In Karle's work, this basic truth takes on a horrifying beauty.